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It's interesting to note where UUI#6 came from. (Diff from August '07). The context was of an article like Bombing of Guernica that referred in a small subsection to the famous painting Guernica by Picasso. In that case, even though the painting is now perhaps the single most recalled thing about the topic, it was tangential to the historical account of what happened, which was perhaps the main focus the article, and so it made sense to discuss it separately. And I think this motivation can still be detected in the intermediate language of UUI#6 "to illustrate an article section about the image", before it was further smoothed to the present "to illustrate an article passage about the image" -- the idea being that this is a small section of the article specifically about this image, in the context of an article really not about art at all.I see the present case as slightly different, in that what the article is trying to do is present a self-contained survey of the art down to the present time. Here, it seems to me that showing how artists who have been shaped by modern movements in art have responded to the subject of the nude in the light of that is very valuable to produce a properly balanced and rounded-out article -- so it's not a single stray section we're talking about that deals with something really quite severable from the main topic of the article; rather it's directly part of the main topic of the article, and to presenting it in a balanced way that is valuable to reader understanding.So in this case, I think it does make sense to use our freedom to set UUI#6 to one side as guidance, and instead cleave to the policy, and consider that these two images do add something of particular qualitative value to the understanding conveyed by the article as a whole. Jheald (talk) 19:42, 13 February 2013 (UTC)Reply[reply] 2b1af7f3a8